"Biographies Life and times of the great ones." PBS.org. 13 Nov 2008 .
Bessie Smith was the most successful black performing artist of her time. She not only sang the blues she also did acting too. Bessie began her professional career by sing in 1912. She made almost 200 recordings, of which her remarkable duets with Armstrong are among her best. Although she excelled in the performance of slow blues, she also recorded vigorous versions of jazz standards. By the 1920s, she was a leading artist in black shows on the TOBA circuit and at the 81 Theatre in Atlanta. Her first recording, Down-Hearted Blues, established her as the most successful black performing artist of her time.
Thursday, November 13, 2008
Friday, November 7, 2008
6th Annotation
Primaryaccess.org. 7 Nov 2008 .
Bessie Smith was a talented African American blues singer. She was a rough, crude, violent woman. She was also the greatest of the classic Blues singers of the 1920s. But during her career she had her ups and downs. She was turned down by three record companies because they felt she wasn't commercial enough, but Columbia Records soon signed Bessie. Her first record "Down Hearted Blues" sold more then 2 million copies within a year. At her peak in the 1920's she earned $2,000 a week, making her the highest paid black entertainer in the country. In 1930 her career had begun to fall due to the public’s change musical taste. By 1931 the Classic Blues style of Bessie Smith was out of style. The Depression, radio, and sound movies had all damaged the record companies' ability to sell records so Columbia dropped Smith from its roster.
Bessie Smith was a talented African American blues singer. She was a rough, crude, violent woman. She was also the greatest of the classic Blues singers of the 1920s. But during her career she had her ups and downs. She was turned down by three record companies because they felt she wasn't commercial enough, but Columbia Records soon signed Bessie. Her first record "Down Hearted Blues" sold more then 2 million copies within a year. At her peak in the 1920's she earned $2,000 a week, making her the highest paid black entertainer in the country. In 1930 her career had begun to fall due to the public’s change musical taste. By 1931 the Classic Blues style of Bessie Smith was out of style. The Depression, radio, and sound movies had all damaged the record companies' ability to sell records so Columbia dropped Smith from its roster.
5th Annotation
Sanders, Madelyn. "Bessie Smith." Women in History. 1/25/2008. 7 Nov 2008 .
This website was very useful, for example it told me about how Bessie Smith was born into a poverty stricken black family in the segregated south. It also stated " Bessie Smith was in the process of a comeback at the time of her tragic death at age forty-three. On Sept. 26, 1937, she was critically injured while on her way to a singing engagement, when the car being driven by her boyfriend Richard Morgan in which she was a passenger crashed into a truck on a road in Mississippi. According to legend segregation led to her death when a white hospital first refused her admission and by the time she arrived at a black hospital in Clarksdale, Miss., it was too late to save her and she bled to death. Although much has been said to dispute this claim, it is not implausible considering that this was the segregated south. The playwright Edward Albee dramatized the account in his 1960 play The Death of Bessie Smith ".
This website helped me a lot it told me about what type of family she was born into and how bessie smith life could have actually been saved after the tragic car crash but since it was a time during segregation the white hospital refused to take her so she bled to death.
This website was very useful, for example it told me about how Bessie Smith was born into a poverty stricken black family in the segregated south. It also stated " Bessie Smith was in the process of a comeback at the time of her tragic death at age forty-three. On Sept. 26, 1937, she was critically injured while on her way to a singing engagement, when the car being driven by her boyfriend Richard Morgan in which she was a passenger crashed into a truck on a road in Mississippi. According to legend segregation led to her death when a white hospital first refused her admission and by the time she arrived at a black hospital in Clarksdale, Miss., it was too late to save her and she bled to death. Although much has been said to dispute this claim, it is not implausible considering that this was the segregated south. The playwright Edward Albee dramatized the account in his 1960 play The Death of Bessie Smith ".
This website helped me a lot it told me about what type of family she was born into and how bessie smith life could have actually been saved after the tragic car crash but since it was a time during segregation the white hospital refused to take her so she bled to death.
Thursday, October 23, 2008
4th annotation
Smith, Elizabeth. "Bessie Smith Biography." bio true story. 2007. 14 Nov 2008 .
This website was very useful in different ways, such as how it tells you about how she was brought u in poverty and how she ran away at the age of 15 and continued to perform in theaters. It also stated, "During her recording career, Bessie Smith worked with many important jazz performers, such as saxophonist Sidney Bechet and pianists Fletcher Henderson and James P. Johnson. With Johnson, she recorded one of her most famous songs, “Back Water Blues.” Smith also collaborated with the legendary jazz artist Louis Armstrong on several tunes, including “Cold in Hand Blues” and “I Ain’t Gonna Play No Second Fiddle.” By the late 1920s, Bessie Smith’s career began to flounder. She stopped working with Columbia in 1931 and made her final recordings in 1933 with John Hammond. A dedicated performer, Smith still continued to tour."
This website was very useful in different ways, such as how it tells you about how she was brought u in poverty and how she ran away at the age of 15 and continued to perform in theaters. It also stated, "During her recording career, Bessie Smith worked with many important jazz performers, such as saxophonist Sidney Bechet and pianists Fletcher Henderson and James P. Johnson. With Johnson, she recorded one of her most famous songs, “Back Water Blues.” Smith also collaborated with the legendary jazz artist Louis Armstrong on several tunes, including “Cold in Hand Blues” and “I Ain’t Gonna Play No Second Fiddle.” By the late 1920s, Bessie Smith’s career began to flounder. She stopped working with Columbia in 1931 and made her final recordings in 1933 with John Hammond. A dedicated performer, Smith still continued to tour."
Acknowledgement of Bessie Smith
Bessie Smith was a famous African American blues singers born into a time period of segregation, she was acknowledged for her singing but not for her courage. Being loved by not only blacks but whites as well, there were plenty of obstacles and situations that stood in her way.
3rd Annotation
"The Red Hot Jazz Archive." Bessie Smith 1. 17 Oct 2008 .
This website gives alot of information on Bessie Smith's personality. According to the website, she was a rough, crude, violent women. She was talented. She had a strong voice and she was famous and popular to both blacks and whites. Eventually people grew tired of her but she was still very popular in the south.
This website also talks about the kind of music Bessie Smith made. She was really popular in the 1920's. Some of her famous songs include "a good man is hard to find", "any woman's blues", and "baby doll".
This website gives alot of information on Bessie Smith's personality. According to the website, she was a rough, crude, violent women. She was talented. She had a strong voice and she was famous and popular to both blacks and whites. Eventually people grew tired of her but she was still very popular in the south.
This website also talks about the kind of music Bessie Smith made. She was really popular in the 1920's. Some of her famous songs include "a good man is hard to find", "any woman's blues", and "baby doll".
2nd Annotation
Burns, Ken. "Bessie Smith." Biographies. October 2008. PBS.org. 20 Oct 2008 .
This website was very helpful. It gives certain details about Bessie Smith. Bessie Smith began her professional career in 1912 by singing in the same show as Ma Rainey, and subsequently performed in various touring minstrel shows and cabarets. By the 1920s, she was a leading artist in black shows on the TOBA circuit and at the 81 Theatre in Atlanta. After further tours she was sought out by Clarence Williams to record in New York. Her first recording, Down-Hearted Blues, established her as the most successful black performing artist of her time. She recorded regularly until 1928 with important early jazz instrumentalists such as Williams, James P. Johnson, and various members of Fletcher Henderson's band, including Louis Armstrong, Charlie Green, Joe Smith, and Tommy Ladnier. I think this will help us understand how Bessie Smith started her career as a blues singer.
This website was very helpful. It gives certain details about Bessie Smith. Bessie Smith began her professional career in 1912 by singing in the same show as Ma Rainey, and subsequently performed in various touring minstrel shows and cabarets. By the 1920s, she was a leading artist in black shows on the TOBA circuit and at the 81 Theatre in Atlanta. After further tours she was sought out by Clarence Williams to record in New York. Her first recording, Down-Hearted Blues, established her as the most successful black performing artist of her time. She recorded regularly until 1928 with important early jazz instrumentalists such as Williams, James P. Johnson, and various members of Fletcher Henderson's band, including Louis Armstrong, Charlie Green, Joe Smith, and Tommy Ladnier. I think this will help us understand how Bessie Smith started her career as a blues singer.
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